What Was the Reason?

We’re trying to address these rejections in this conversation, not with the intention of reopening old wounds, but rather to see where film projects—which were previously— sometimes rejected for political reasons—might fit. Is it worth resubmitting them, and if so, which ones? Or should we agree with Gábor Reisz, who says we shouldn’t dust off old ideas but come up with new ones instead? In general, whose ideas were lost in the past, a time poisoned by blacklists? 

György Pálfi and Hajni Kis, directors; Juli Berkes; László Kántor, producer; Can Togay, writer-director